Emily and I are total pop culture nerds to the extreme. Many of our conversations involve us identifying actors on-screen as quickly as possible, and then saying, "When's the last time you saw [name of actor] in anything that wasn't [name of film that is considered representative of said actor]. It works really well when it seems like the actor hasn't been in anything for a while. For example, I might say, "When's the last time you saw Mark Linn-Baker in something that wasn't Perfect Strangers ?"
In these cases, Emily almost always says, "Well, he was in an episode of Law & Order..." and, naturally, the actor was indeed in one -- or more -- of the hundreds of installments of NBC's long-running legal drama. Sometimes I joke that I've actually been on Law & Order a few times. I bet we have, at any given moment, at least 10 Law & Order episodes on either of our two DVRs.
But, I digress.
My point is that Butt-Numb-A-Thon (aka BNAT) is an experience that is perfect for a couple like the ShepAlders. Between the two of us, Emily and I have probably seen several thousand films and we're always watching more. For most people, attending a 24-hour film festival probably seems overindulgent and painful; while it's arguably the former, for Emily and me, it's a glorious experience filled with laughter, excitement, new acquaintances, vintage trailers, awesome food and more.
Here's a brief look at the films we saw, including my impressions (now free from caffeine overload and sleep deprivation!).
This embellished account of the life of Mexican revolutionary general Pancho Villa was one of the Hollywood's last pre-Hays Code films, and it shows! Academy Award winner Wallace Beery is quite gregarious in the title role and Fay Wray adds a nice dash of old Tinseltown class to the film. Even better, the movie was mostly filmed on location in Mexico and includes a large collection of extras (and, judging from the lack of authentic accents from all the main cast, they were probably the only thing truly Mexican about this film...). Still, this is a great example of the kind of ambitious filmmaking that existed in the early, post-silent film era.
Going into BNAT, this was the one film I was certain we'd see. Although it doesn't hit theaters until Christmas Day, it's made the pre-screening rounds for critics and has garnered rave reviews. The story is fairly simple: Based on F. Scott Fitzgerald's 1922 short story, Benjamin Button is boy who is born with the body of a very old man. As he grows, he becomes younger and younger. The film is told through a diary he kept throughout the years, which is being read by the daughter of a woman who knew Benjamin since childhood. I won't spoil the film, but it is a tale of life, nostalgia, love and relationships... and, most importantly, how the people in our lives make up a lot of who we are inside. One of the Aint It Cool News writers warned us that the film would leave us in tears at the end. While I have no problem crying in public or during a film, I didn't expect to feel so emotionally connected. By the time the credits rolled, I had teared up completely. This is a wonderful film in the spirit of films like "Forrest Gump" and "Big Fish," and easily one of the best movies of 2008.
Sahara (1943)
On one of our very first dates, Em and I watched "The Maltese Falcon," a classic example of film noir featuring one Hollywood's greatest actors, Humphrey Bogart. However, while I count "The Treasure of the Sierra Madre" and "Casablanca" amongst some of my most favorite films, Em is admittedly not much of a Bogey fan. That said, it's hard not to like this thinly veiled WWII propaganda film, with its classically diverse and anti-German cast. In awesome 1940s fashion, the writers injected plenty of social commentary in the film on everything from racism ("Don't worry... his black skin won't rub off on your pretty uniform"), sarcasm ("Wipe that smile off your puss or I'll knock your teeth through the top of your head!") to the evils of fascism ("Do you know why we're able to do it? Because we are stronger than they are...I don't mean in numbers. I mean something else. You see, those men out there never knew the dignity of freedom.")
Valkyrie (2008)
When Tom Cruise decided to revive the venerable Hollywood studio United Artists in 2006, many were skeptical that anything good would come of it. His first film, Lions for Lambs, ulimately posted losses of more than $50 million. I'm not certain if moviegoers will flock to Valkyrie in droves, being that Cruise's once strong fan base has dwindled some in these post TomKat years, but it's an incredibly intriguing film. Based on the true story of Colonel Claus von Stauffenberg, who led a group of Nazis in a coup against Adolf Hitler. I'm usually not a huge fan of films that are solely in English, when all of the characters should be speaking a foreign language (see "The Other Side of Heaven") and in this film, director Bryan Singer instructed the actors to use neutral accents rather than feign some type of German-English hybrid. Does it work? Eh... not really. Does it ruin the film? No. The story is quite thriling, so I was able to look past it. I highly recommend this film for any WWII history enthusiasts.
Coraline (2009)
Based on the 2002 novella by British author Neil Gaiman and directed by Henry Selick (who helmed both "James and the Giant Peach" and "The Nightmare Before Christmas"), "Coraline" is the story of young girl who moves with her family to Ashland, Oregon, (although in the novella, her family lives in the U.K.) and finds a mysterious door in her house that leads to a parallel world where her family has buttons in place of eyes, and things are much stranger than before! We only saw a few clips from this stop-motion animated film -- which was produced by the Oregon studio Laika in Hillsboro -- but they were all presented in RealD 3D and looked absolutely fantastic! Vivid colors and weird, imaginative images are all I really took from those quick clips, but with a cast of Teri Hatcher and Dakota Fanning, this film looks like a winner!
Up (2009)
I absolutely love Pixar. Last year at BNAT, Pixar reps brought exclusive clips from "WALL*E", several months before it opened. "WALL*E" proved to be phenomenal and one of my most favorite films of the year (the Blue-Ray versions of both it and "The Dark Knight" top my Christmas list...). This year, the good folks at Pixar brought us the first 45 minutes of their newest film, "Up." The film features an elderly man, Carl Fredericksen, who is lonely after the death of his wife. Having always wanted to travel the world with her, he embarks on an incredible journey to South America. I don't want to give to much of the film away, but having seen a good chunk of it, Pixar has hit another home run. The whole theater was filled with laughter throughout the screening and some phrases are destined to become favorites (i.e. "Squirrel!!"). This will also be the first Pixar film that will be available in 3D theatrically. I can't wait to see this!Metropolis
(1926, with 1984 Moroder soundtrack)
This is one of those films that is considered a complete masterpiece from the silent era. Filmed 82 years ago in Germany, "Metropolis" is the story of a large city in the year 2026 where the rich live in fantastic, towering buildings, while the workers -- who keep the city running -- labor and live below. The film had a running time of 153 minutes when it premiered in Germany, but was cut down to 114 minutes for its American release (which, of course, did not help U.S. viewers understand the complex story). For years, it was assumed that the full-length version had been lost forever; however, in July a 16mm reduction negative was found in the Museo del Cine in Buenos Aires, Argentina. The film world is now waiting as the 210-minute print is restored.
The version we saw at BNAT was released in 1984 with a new soundtrack by Italian record producer Giorgio Moroder. Featuring a retro-80s lineup of artists including Freddie Mercury, Pat Benatar, Loverboy, Adam Ant and Bonnie Tyler, this version is both tinted (giving the film a splash of color) and truncated (it runs about 80 minutes). As a huge fan of 80s synth pop and films of the silent era (I'm a huge Chaplin/Keaton fan), this was perfect for me. "Metropolis" has been on my list of must-see films for a while, but I'd never sat down to view it (I'd even borrowed it from the library a few months ag0). I'm glad I finally got a chance to see this amazing film... and I can't wait until the newly discovered print is made accessible. This is a masterful film that is amazing in its detail, especially considering it was made nearly 90 years ago!
The version we saw at BNAT was released in 1984 with a new soundtrack by Italian record producer Giorgio Moroder. Featuring a retro-80s lineup of artists including Freddie Mercury, Pat Benatar, Loverboy, Adam Ant and Bonnie Tyler, this version is both tinted (giving the film a splash of color) and truncated (it runs about 80 minutes). As a huge fan of 80s synth pop and films of the silent era (I'm a huge Chaplin/Keaton fan), this was perfect for me. "Metropolis" has been on my list of must-see films for a while, but I'd never sat down to view it (I'd even borrowed it from the library a few months ag0). I'm glad I finally got a chance to see this amazing film... and I can't wait until the newly discovered print is made accessible. This is a masterful film that is amazing in its detail, especially considering it was made nearly 90 years ago!
My Bloody Valentine 3D (2009)
This film is a remake of the 1981 slasher/horror film, "My Bloody Valentine." This is pretty much like most movies of this genre -- thin plot, characters with questionable decision-making skills and morals, and lots of blood. If you don't like horror films, you'll hate this. In fact, you might even hate it more thanks to the tons of 3D imagery, courtesy of RealD. Having seen many horror films in my life -- from classics to some of the more recent, I feel that this film is rather tame. That said, the integrated 3D effects are quite fantastic and make the movie really enjoyable.
I Love You, Man (2009)
I was surprised that this comedy was on the BNAT lineup, but I loved it! The cast is stellar, with Paul Rudd and Jason Segel as the leads, accompanied by Rashida Jones ("The Office"), Jamie Pressly ("My Name is Earl"), Jon Favreau ("Iron Man") and Andy Samberg ("SNL"). Basically, Rudd gets engaged to Jones, but while she's busy planning for the wedding with her bridesmaid, Rudd realizes that he has no real guy friends. A chance meeting with Jason Segel at a real estate open house sparks a friendship, and the story continues from there. Fans of "Knocked Up" and "Forgetting Sarah Marshall," will love this film. As an official "Freaks and Geeks," er, freak, I have an obligation to watch everything involving that oh-so-shortlived show's amazing cast (in this case, that's Segel).
White Dog (1982)
I'd never heard of this film, but it is truly bizarre. However, if Criterion deems a film worthy of release, it's almost always worth viewing. This movie stars then-20-year-old Kristy McNichol ("Family," "Empty Nest") as a young actress in Los Angeles. Driving along a dark highway one night, she accidentally hits a white German Shepard. Unable to find the owner, she keeps the dog to keep her company. After the dog attacks McNichol's friend, a black actress, she realizes that the dog has been trained to attack African-Americans on sight. She takes the dog to Burl Ives ("Rudolph the Red-Nosed Reindeer"), who runs an animal training facility. With the help of trainer Paul Winfield ("Star Trek II: The Wrath of Khan"), they try to re-train the dog. This film was very controversial when it was released and pretty much killed the career of director Sam Fuller. It's less shocking in 2008, but the film still is interesting because it explores theories behind racism and the potentially fatal effects of instilling flawed human prejudices onto animals, who can be trained to do just about anything. I wouldn't recommend this film to a room of third-graders, but I do wish that my really hip high school pysch teacher had fished this out of the archives. He had the most bizarre take on everything... and I would have loved to see him react to something like this.
Terminator: Salvation (2009)
We see a lot of clips, trailers and oddities at BNAT. Sometimes, special guests even show up. This year's event had several guests, including Elijah Wood (Emily's sister didn't know who he is... I guess her kids are too young for the LoTR trilogy!). As a huge Terminator fan since adolescence, I've been quite excited for this new film starring Christian Bale ("Newsies," "The Dark Knight"). Hollywood filmmaker McG ("Charlie's Angels") made an appearance to show as some lengthy footage (and then teased us by saying he actually had a burned DVD of the entire film... but the Warner Bros. rep who had accompanied him refused to let him screen it!). He proceeded to show us around 7 minutes of clips from T4 (as the fans have dubbed it, naturally). This included unfinished CG effects, stunt work with cables and mats still in place and raw footage with time codes and such still in place. In other words, the film is still far from done, but it looks pretty awesome. This film is the first time a Terminator film takes place completely in the scorched, future world, so it will be interesting to see John Connor as an adult, leading the resistance... rather than a young boy/teen being protected from assasination. Fans of the Terminator series will rejoice... and those who don't care all that much might have their curiosity picqued by the prescence of Christian Bale. I'd be there, Bale or no Bale... but, honestly, he's one of my favorite actors of late, and I'm convinced he can basically do no wrong.

Watchmen (2009)
If you asked attendees before BNAT started, "Which film do you think you'll see?", hands down the answer would be, "Watchmen." This much-anticipated film, based on the venerable 12-issue comic book series (1986-1987), is directed by Zack Snyder ("300," "Dawn of the Dead"), who brought an early print of "300" to BNAT 8 and, apparently promised to bring "Watchmen" in the future. Unfortunately, the film is not finished (and, at this writing, is still mired in legal drama). Luckily, the powers behind the film saw fit to send the first 22 minutes along with actor Jackie Earle Haley ("The Bad News Bears," "Little Children"). The film is set in a parallel version of 1985 where Richard Nixon is still the U.S. President, Soviet-U.S. strife is at its most volatile point and superheroes are present and very real. As much as I love comic books and graphic novels, I haven't read the "Watchmen" series (I blame a lot of my gaps in pop culture to history to growing up in rural, Eastern Oregon...). After seeing this footage, I'm convinced that I will have to do so before seeing the film. I've always been a fan of everything involving superheroes, so this is really perfect for me. The film is scheduled to open in March 2009.
This was one of the films I thought we might see at BNAT. Hollywood makes very few "epic" films these days, mostly because most people only want to escape to the cinema for about 2 hours... not 4 or more! Since BNAT is already 24 hours long, I figured the film's 4½ running time was just too much. Well, I was wrong. At 8:30 a.m., Harry announced that our final films would be... "Che: Part I and II." First of all, I have to admit that this was a privilege, as this film has seen only limited release in New York, Los Angeles and various film festivals (i.e. Toronto and Cannes). That said, the film runs at a snail's pace, and never really allows the audience to connect emotionally. Unlike the fantastic 2004 biopic, "The Motorcycle Diaries," (which chronicles the 1952 adventures of Ernesto "Che" Guevarra throughout his native South America), this film provides very little insight into the life of a man who is esteemed by millions around the world as an example of social dissidence and revolution. It's not a bad film; in fact, at times, it's rather gripping. Many of our fellow BNATters had a difficult time with the film, having endured more than 20 hours of non-stop entertainment already. I was lucky, being fluent in Spanish, as I was not forced to expend a great deal of energy to read the subtitles. Still, it would be difficult to recommend this film to anyone unless they (1) were really interested in Gueverra's life; (2) really enjoy hours and hours of scenes with little or no dialogue; (3) want to submit themselves to an intense Spanish immersion experience. The film has a fantastic look and Benicio del Toro ("Sin City") is incredibly effective in the title role. Though I did watch nearly the entire film without slumbering, I might revisit it as a Blu-Ray rental and watch it again (in easy-to-swallow segments, of course!).
And, with that, BNAT was over. At the very end, as all of the attendees were gathering their belongings and massaging their sore derrieres, Harry said, "Hey... who is talkbacker Bob Loblaw Law Blog?" Emily looked at me and said, "Hey, that's you!" On Aint It Cool News, every story has a comments feature called "Talkbacks." This allows users of the site to post comments about the subject of the article. Every user has a handle (i.e. user name)... and mine happens to be "Bob Loblaw Law Blog." Apparently, Harry's wife, Patricia, really likes my posts, and, in Harry's words I'm "her favorite talkbacker." We went down and introduced ourselves to Patricia, who was very nice. We told her that we were married just 13 days after she and Harry in July 2007, which she thought was neat.
Hopefully we can go back to BNAT soon. Our niece, Jordan, said, "You wouldn't even come visit us if it weren't for Butt-Numb-A-Thon." What she doesn't realize is, more than likely, we wouldn't go to BNAT if they didn't live in Austin. It's been a real treat to attend the past two years... I hope we'll be able to go many times more in the future!



































