Balancing Act: The Authorized Biography of Angela Lansbury by Martin Gottfried
"As to her self-editing and reserved nature, it does not qualify the genuineness of her warmth. Angela Lansbury is as concerned, as sensitive, and as sympathetic as anyone might want in a friend. It is just that while she can offer compassion, she cannot readily give of herself. 'I don't have a best friend,' she says. 'I never did,' and she adds, genuinely puzzled, 'Why would I?'"
All right, so I know I said I was reading this next, but it was really dry. So I started reading Balancing Act instead (concurrently, really, though I pretty much stopped reading the other one for awhile).
This book was written by a good friend of Lansbury's (a stage critic, apparently, who never wrote her a bad review), so of course the book is (mostly) complimentary. It's a general biography, and unless you're interested in her, this book probably won't be your cup of tea. Also, because this is an "authorized" biography, there are zero juicy details (and considering I've become addicted to this, it was kind of a let-down).
What I Liked: I like Angela Lansbury, so all of this book was interesting since I knew practically zero about her private life. I liked that there were details about her theater career that I wouldn't otherwise know (since I've only seen her on Broadway once and wasn't around for the Mame-era Lansbury).
What I Didn't Like: The problem with this author is that he is a friend of Lansbury's so he only wrote what she allowed him to write (not that she was standing over him at the computer, but I wouldn't write nasty things about my friends either). He was also a theater critic, so he wrote predominantly about her theater life. He wrote off Bedknobs and Broomsticks as a piece of fluff (which made me sad, since that movie was such a positive part of my childhood-- I mean, how can you be sad when people are dancing around with clothing and cartoon fish?) He also devoted less than 30 pages on Murder, She Wrote, and most of that was about how Lansbury resented being compared to Jessica Fletcher (though, in fairness to her, she took that comparison seriously and made sure to choose future projects that would be in keeping with her Jessica Fletcher persona).
I'm glad I read this book, but I think sometimes the less you know about a person, the better. The Angela Lansbury that exists in my head is much more comforting than the one that exists in real life. And I know the two aren't comparable, I'm not an idiot, but I wish I didn't read in print that Lansbury resents people for idealizing her.
This Book Would be Best if Read: During a long weekend, while cuddling with cats and listening to the original Broadway cast recording of Sweeney Todd.
I Would Recommend This Book To: Someone who knows who Angela Lansbury is. I mean, that's helpful.
If You Like This Book, You May Also Like: The Manchurian Candidate (1962), Bedknobs and Broomsticks (1971), Sweeney Todd
Up Next: Anne of Green Gables (I kind of need a comfort read).
This book was written by a good friend of Lansbury's (a stage critic, apparently, who never wrote her a bad review), so of course the book is (mostly) complimentary. It's a general biography, and unless you're interested in her, this book probably won't be your cup of tea. Also, because this is an "authorized" biography, there are zero juicy details (and considering I've become addicted to this, it was kind of a let-down).
What I Liked: I like Angela Lansbury, so all of this book was interesting since I knew practically zero about her private life. I liked that there were details about her theater career that I wouldn't otherwise know (since I've only seen her on Broadway once and wasn't around for the Mame-era Lansbury).
What I Didn't Like: The problem with this author is that he is a friend of Lansbury's so he only wrote what she allowed him to write (not that she was standing over him at the computer, but I wouldn't write nasty things about my friends either). He was also a theater critic, so he wrote predominantly about her theater life. He wrote off Bedknobs and Broomsticks as a piece of fluff (which made me sad, since that movie was such a positive part of my childhood-- I mean, how can you be sad when people are dancing around with clothing and cartoon fish?) He also devoted less than 30 pages on Murder, She Wrote, and most of that was about how Lansbury resented being compared to Jessica Fletcher (though, in fairness to her, she took that comparison seriously and made sure to choose future projects that would be in keeping with her Jessica Fletcher persona).
I'm glad I read this book, but I think sometimes the less you know about a person, the better. The Angela Lansbury that exists in my head is much more comforting than the one that exists in real life. And I know the two aren't comparable, I'm not an idiot, but I wish I didn't read in print that Lansbury resents people for idealizing her.
This Book Would be Best if Read: During a long weekend, while cuddling with cats and listening to the original Broadway cast recording of Sweeney Todd.
I Would Recommend This Book To: Someone who knows who Angela Lansbury is. I mean, that's helpful.
If You Like This Book, You May Also Like: The Manchurian Candidate (1962), Bedknobs and Broomsticks (1971), Sweeney Todd
Up Next: Anne of Green Gables (I kind of need a comfort read).
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