This book marks my first foray into Kindledom. I absolutely love my kindle because it's lightweight and easy to travel with, but I hate it because I can't read with it in the pool or the bath
and it has "location" numbers rather than page numbers, which means that I could only see what percentage I had read rather than how many pages I had left. It's probably not as frustrating with shorter books, but it really drove me crazy with this book (though once I figured out how to make the font smaller it went by faster). Consequently, it took me four months to finish. I didn't even have it read in time for book club. Shameful.
I was simultaneously drawn in and repelled by this book. Drawn in by the characters and their endless moral quandaries, and repelled by the endless philosophizing and expatiation on the part of Hugo. I was told to read the full version rather than the abridged version and I do not recommend it!
Read the abridged version! Unless you have a bewildering interest in the history of 1830 French politics, you do not have the need to read the didactic rantings of a man long since dead.
Briefly, this book is the account of a convict, Jean Valjean, who is on an endless route of escape; escape from jail, escape from his police pursuer Javert, escape from his own conscience and God's judgment. Through a series of wacky events, he ends up the primary caregiver for an abused girl (Cosette) who falls in love with a lawyer and revolutionary (Marius).
Spoiler alert: Jean Valjean is pretty miserable and a lot of people die.
Things I liked: The characters are wonderfully painted, and I got a real sense of their internal struggles (except for Cosette, who was pretty one-dimensional the entire time; Hugo does not write women well). If I had been reading this book for a class, there were endless things that would have fostered great discussions (e.g. the relationship between morality and forgiveness, the question of whether people can change their true nature juxtaposing Valjean and Thenardier, or, my favorite standy-by, comparing and contrasting the female characters-- especially Cosette vs. Eponine and Fantine vs. Mrs. Thenardier).
I also liked that I was exposed to a whole slew of words I had never seen before (and the Kindle has a built-in dictionary, so all you have to do is move the cursor to the word), such as: inexorable (unyeilding or not to be pursuaded), brigand (a bandit or lightly-armed foot soldier), mousquetaire (musketeer), valetudinarian (invalid or person who believes himself to be chronically sick [hypochondriacal]), assiduity (constant or close application of effort), tergiversation (to change one's attitude repeatedly), and, my favorite, canaille (riff-raff).
Things I didn't like: Aside from my complaints about Hugo's rambling political dogma, I had a hard time with this book because I have seen the musical so many times. I knew that the first 20% of the book really didn't have a
ton of importance in the overall plot (aside from setting the moral tone), and I knew that I didn't need to remember the students' names, and I had
"Master of the House" stuck in my head for weeks.
Hugo used freakishly long chapter headings, such as "Chapter VIII-- Many Interrogation Points With Regard to a Certain Le Cabuc Whose Name May Not Have Been Le Cabuc."
This quote, about Cosette: "A little girl without a doll is almost as unhappy, and quite as impossible, as a woman without children." Also, "One of woman's magnanimities is to yield." Hm. I have a million responses to that, none of which are Blog Appropriate.
This book would be good to read: while you're also reading other books. It is relatively episodic, which made it easy to pick up and put down
, and it's really too long to hold one's attention for too long.
I would recommend this book to: anyone who likes French history, depressing storylines, and hates women. Okay,
maybe not the hating women part (and I'm sorry if I've offended my audience of three), but this is definitely not a book for feminists.
I would also recommend: Les Miserables: The Musical! Just don't watch it first, because then the whole story will be ruined and you'll spend your whole time humming "
Castle on a Cloud." Though, if you liked the political part of this book, you may also like Stendhal's
The Red and the Black.
Coming up next: The Madness of Mary Lincoln. Lunatic or victim of the patriarchy? We'll find out!